'The work' explores whatever I feel like exploring, which variously includes such creative graveyards as cyborg theory, genetics, individuality, synchronicity, déjà vu, future dystopia, corporate takeover, repetition, fruit, art, and life.
'The work' is organic and lo-fi; produced instinctively and responsively, and covering video, animation, sound, drawing, installation, photography, text and book-making and all combinations thereof.
'The work' in no way attempts to draw the viewer in nor offers anything to the audience.
If there is a theme recurrent in 'the work', it is the consistent failure to provide answers to questions posed, and the pitiful inadequacy of art visible through the widening cracks.